Return to home page
|... including many additions of photos
and correspondence to the on-line parts of Vanishing
British Columbia and Vancouver
pages about Toshiko and 2050, my graphic novels
...and/or go to the Facebook page
– this is the most up-to-date
source of what's happening
|2050: A Post-Apocalyptic Murder Mystery, my new graphic
novel, will be launched on November 9th, 7 pm, at the Book
Warehouse at 4118 Main Street. Please come to the launch and
check out a preview of the book here.
|Prompted by the talk I gave on Bowen last month, I've put the
images and text, more or less, onto this site here
as part of the ongoing Vanishing B.C.
And, on July 15th, I'll be moderating another of the SFU Philosophers' Café events, this time on graphic novels – are they for dummies or are they a real art/literary form?
(Postscript: afterwards, as they ask you to do, I sent in the following to SFU, for their records, of a good discussion involving several librarians and a college instructor who attended:
•all children's books are graphic novels.
•graphic novels manage to tell both light and serious stories.
•the most accessible graphic novels tell a story from a personal point of view, i.e. first-person narration.
•a combination of cinematic artwork and text is very inviting for a reader; the best graphic novels tell part of the story visually, part of it textually
•early graphic novel pioneers include Franz Masereel and Lynn Ward; other classics include Maus, Persepolis, and works by Joe Sacco. Chester Brown's Louis Riel tells a complex story with very spare, elegant artwork.
•ESL speakers (or any second-language speakers in any culture) can get clues from the visual aspects of a graphic novel to bridge the gap in their comprehension of the language.
•graphic novels, such as Shigeru Mizuki's Showa series, may be a way to open a door into a deep understanding of history, while providing good historical grounding themselves.
•hybrids of "comics" pages followed by text are another way that the graphic novel format can tell stories.]
|A few last-minute notices of events:
June 17, "Whatever Happened to Free Time?" one of the SFU Philosophers' Café events, at the Oakridge Library at 7 pm.
June 19, I'll be talking and showing paintings from earlier days (at least my own earlier days) on Bowen at the AGM of the Bowen Island Historical Society, 2:30 pm.
June 20 – 24, my course (a set of 5 lectures) called Musings on Historic Vancouver, part of the UBC Continuing Studies program.
|What have I been doing lately? Working on a second
graphic novel, explaining my absence.
I've added a few notes to the Vanishing BC sections, including pictures of the now-demolished Judge Haynes house in Osoyoos, some more correspondence and photos about North Bend, and a 2000 article about a reunion of people at Tranquille.
Upcoming events include a couple of talks about Toshiko, teaching at UBC during the summer, teaching at SFU Harbour Centre in the fall, and a variety of other lectures, all to be added as the dates get closer.
|Art and a bit of writing from our recent trip to
Morocco, with time spent in Spain en route, added to the long
list of trips on my travel page.
|This is a good long podcast interview with Barry Link
about Toshiko. Click on the image above to go to it or find it
in the review section on the Toshiko
|I don't normally flag additions to the Vanishing BC
pages, as there are too many of them, but the set of photos of
the Tranquille Sanatorium
is very good, as is the information from Tara Rose about Blakeburn,
including a pay sheet of her grandfather's from 1929 – wages
of $5.60 a day for a coal miner.